Embassy Records Story - A Tribute To Elvis Presley.



Special Thanks to / agradecimientos a MrTCBMan.

Terry Mike Jeffrey - Elvis 2007 The Original Cast.



Terry Mike Jeffrey - Raised On Elvis Vol.6

 

More info in http://www.terrymike.com/

http://www.niagarafallselvisfestival.com/terry_mike_jeffrey.html

http://www.ladyluckmusic.com/radio/hunter/tmj/

Terry Mike Jeffrey - Raised On Elvis Vol.5.



Terry Mike Jeffrey - Raised On Elvis Vol.4.



Terry Mike Jeffrey - Raised On Elvis Vol.3.



Terry Mike Jeffrey - Raised On Elvis Vol.2.



Terry Mike Jeffrey - Raised On Elvis.



Joe Lewis Tribute Band - The Ultimate Elvis Tribute from Spain

Hola, recientemente he tenido el placer de conocer a esta banda tributo a Elvis mediante youtube y la verdad es que son muy buenos, son de Sevilla en España y espero os gusten.

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Hi, I recently had the pleasure of meeting this band tribute to Elvis through youtube and the truth is they are very good, they are in Sevilla in Spain and I hope you like them.



Visitar: http://joelewiselvis.blogspot.com/

The American Sound Show.

Ray Conniff - Presents Elvis

Gracias a mi gran amigo Mr TCBMan por este link.

Swing Cats - A Special Tribute To Elvis.

Pat Boone - Sings Guess Who? - Nuevo link 16.08.2012.

No es necesario comprobar la lista de pistas para averiguar la identidad del "Guess Who" del álbum tributo de Pat Boone en 1963. La imagen de la portada lo dice todo. Ataviado con un traje resplandeciente de oro, zapatos de oro - con la cabeza inclinada hacia atrás y sujetando su guitarra, Boone parece que representa algo muy serio. Pero desde el principio está claro lo que el quiere decir, que no es un disco de rock & roll de Elvis Presley. Cuando Pat Boone y la gente de Dot Records decidió seguir adelante con este disco tributo a Elvis, sabiamente decidió que no iba a ser la imitación de Boone sobre Elvis. Lo que hicieron fue tratar de crear algo totalmente nuevo y diferente. El empleo de los arreglos de jazz de Paul Smith y el respaldo de su octeto de jazz, en estas familiares pistas de Elvis les dan un trato completamente desconocido. El plan funciona bastante bien en "Love Me", "Teddy Bear", "All Shook Up" y "Blue Suede Shoes". Pero empieza a diluirse después de eso. Aunque el álbum no se puede considerar un triunfo artístico, el mérito debe ser determinado por la creatividad, el ingenio y la maestría musical de Paul Smith y su octeto, y también a Pat Boone por su disposición a tener una oportunidad con un poco de material arriesgado, y por su esfuerzos en la ampliación de su versatilidad natural en un nuevo reino. La idea era buena: un homenaje al cantante más grande del mundo de Rock'n'roll, Elvis Presley.

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You don't need to check the track listing to figure out the identity of "guess who" on this 1963 tribute album from Pat Boone. The picture on the cover says it all. Decked out in a glittering gold suit, gold shoes- with his head cocked back and holdin' his guitar, Boone looks like he means serious business. But right from the start it is clear that the business he means is not rock & roll a la Elvis Presley. No, when Boone and the folks at Dot Records decided to go ahead with this Elvis tribute album, they wisely decided that it was not going to be Boone's imitation of Elvis. What they did decide was to try something entirely new and different. Employing the jazz arrangements of Paul Smith and with the backing of his jazz octet, these familiar Presley hits are given an entirely unfamiliar treatment. The plan works quite well on "Love Me," "Teddy Bear," "All Shook Up," and "Blue Suede Shoes." But it starts to thin out after that. And by the time you get to "One Night" and "It's Now or Never," you're wishin', at least on those songs, that it had been "never." Although the album cannot be considered an artistic triumph, credit must still be given for the creativity, resourcefulness, and musicianship of Paul Smith and his octet, and also to Pat Boone for his willingness to take a chance with some risky material, and for his good efforts in extending his natural versatility into yet another realm. The idea was a good one: a tribute to the world's greatest rock & roll singer, Elvis Presley.

Gracias a Mr. TCBMan por el link.

Banda Macho - Tributo a Elvis (1975 México)

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Gracias a Mr TCBMan por el link.

It's Now Or Never - The Tribute To Elvis.

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Thanks Mr TCBMan for the link.

Wanda Jackson - I Remember Elvis

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Gracias por el link Mr TCBMan.

Bobby Solo - Rock 'n' Roll - LP 1979.

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Muchas gracias Mr TCBMan.

Bobby Solo cuyo nombre real es Roberto Ratti, nace en Roma, Italia, un 18 de marzo de 1945. Es un cantante italiano que cultiva el género de la música romántica, pop. Bobby es considerado por muchos el «Elvis Presley» italiano, y ésto es debido al parecido de su voz, al estilo de su peinado, y finalmente a la admiración que siempre supo tener por el Rey del Rock and Roll.

Debuta como cantante en el Festival de la canción de San Remo, en 1964, interpretando a la par, con Frankie Laine, el tema Una lacrima sul viso. Un año después resultará ganador de dicho festival con el tema Se piangi, se ridi (Si lloras, si ríes), que lo interpretará con el acompañamiento del célebre grupo juglar New Christy Minstrels.

En 1964 gana el Festivalbar (Italia), con la canción Credi a me.

En 1965 participa en el Eurofestival realizado en Nápoli, Italia, casificándose en el quinto puesto.

En 1969, vuelve a ganar en San Remo al interpretar a dúo el tema Zíngara (Gitana) con la cantante Iva Zanicchi.

Son múltiples sus participaciones en el Festival de San Remo (que se realiza anualmente en Italia desde el año 1951), a saber:

1. 1964 Una lacrima sul viso - junto a Frankie Laine.

2. 1965 Se piangi se ridi - con a New Christy Minstrels.

3. 1966 Questa volta - junto a The Yardbirds.

4. 1967 Canta ragazzina - junto a Connie Francis.

5. 1969 Zíngara - a dúo con Iva Zanicchi.

6. 1970 Romántico blues - a dúo con Gigliola Cinquetti.

7. 1972 Rimpianto

8. 1980 Gelosia

9. 1981 Non posso perderti

10. 1982 Tu stai

11. 1984 Ancora ti vorrei

12. 2003 Non si cresce mai a dúo con Little Tony.

Entre otros tantos de sus sucesos, se recuerdan: San Francisco (1967), versión italiana del homónimo tema, interpretado por Scott McKenzie; Non c’è più niente da fare (1966); Siesta (1967); Doménica d’agosto (1969); Una granita di limone (1968).

En los años ‘80, junto a Rosanna Fratello y Little Tony, forma el grupo I Robot, con el cual logran un respetable suceso, presentándose, así también, en San Remo.

Bobby Solo ha tenido una notable repercusión dentro de los mercados alemán, francés, y español, habiendo grabado sus canciones de mayor suceso, en los idiomas mencionados, con muy importante número de copias vendidas.

En 1989 surge vencedor con Una lacrima sul viso en la transmisión musical denominada C’era una volta il festival.

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Bobby Solo, whose real name is Roberto Ratti, born in Rome, Italy, a March 18, 1945. It is an Italian singer who cultivates the genre of romantic music, pop. Bobby is considered by many the "Elvis Presley" Italian, and this is due to the similarity of her voice, her hair style, and finally to admiration that always looked to have the King of Rock and Roll.

He debuted as a singer in the Eurovision Song Contest in 1964, performing on par with Frankie Laine, the theme lacrima sul viso A. A year after winning the festival will be the theme was Piangi is ridi (If you cry, if you laugh), which will interpret the accompaniment of the famous New Christy Minstrels minstrel group.

In 1964 wins the Festivalbar (Italy), with the song Credi to me.

In 1965 participates in the Eurofestival held in Napoli, Italy, casificándose in the fifth.

In 1969, he returned to win in San Remo in interpreting the theme duet Zingara (Gypsy) with the singer Iva Zanicchi.

There are multiple its shares in the San Remo Festival (held annually in Italy since 1951), namely:

1. Lacrima sul viso 1964 A - with Frankie Laine.

2. Piangi is ridi 1965 - with the New Christy Minstrels.

3. Questa volta 1966 - with The Yardbirds.

4. Sing ragazzina 1967 - with Connie Francis.

5. 1969 Zingara - Iva duet with Zanicchi.

6. Romance 1970 blues - a duet with Gigliola Cinquetti.

7. Rimpianto 1972

8. 1980 Gelosia

9. Non posso perderti 1981

10. 1982 Tu stai

11. Ancora you Vorrei 1984

12. Non whether cresce mai 2003 duet with Tony Little.

Among many of its events, recalls: San Francisco (1967) Italian version of the eponymous subject, played by Scott McKenzie; Non c'è più niente da fare (1966) Siesta (1967), Domenica d'agosto (1969 ), a granita di limone (1968).

In the '80s, along with Rosanna Fratello and Tony Little, is the group I Robot, which managed a respectable event, being present, so also in San Remo.

Bobby Solo has had a notable impact in the German, French, and Spanish, having recorded their most successful songs in the languages mentioned, with very large number of copies sold. In 1989 emerged the winner with a lacrima sul viso in transmitting musical called Once Upon a volta il festival.

Yuichi & The Hilltone Boys - The Thousand Records Era 2000-2005.

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Thanks for share Mr. TCBMan.

Tim Whitnall With Darrel Higham And The Enforcers - For EP Fans Only.

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Como siempre otro gran cd de mi buen colaborador Mr. TCBMan.

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As always another great cd of my good collaborator Mr. TCBMan.

Ray Smith - Sings and Rock.

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Gracias Mr. TCBMan.