Oscar Baron, Elvis Presley & Other Elvis Impersonators: febrero 2012

miércoles, 29 de febrero de 2012

Elvis Presley - The Best Hits (2012)

377,54 MB / 360 Kbps

1. Santa Lucia Traditional 1:15

2. Tennessee Waltz 1:21

3. Big Boots 1:32

4. Blue River 1:34

5. Don't Leave Me Now 1:46

6. By And By 1:51

7. Hard Headed Woman 1:54

8. I'll Be Home For Christmas 1:55

9. Little Darlin 1:56

10. That's All Right 1:57

11. All Shook Up 1:57

12. Beach Boy Blues Movie Version 1:58

13. Blue Suede Shoes 1:58

14. New Orleans 1:59

15. Never Ending 2:00

16. Love Me Tonight 2:02

17. In My Fathers House 2:04

18. I Want To Be Free 2:07

19. Known Only To Him 2:07

20. Blue Christmas 2:09

21. Heartbreak Hotel 2:09

22. Hurt 2:10

23. It Feels So Right 2:10

24. Treat Me Nice 2:10

25. Ask Me 2:11

26. My Baby Left Me 2:12

27. A Big Hunk Olove 2:13

28. Good Rockin Tonight 2:13

29. Loving You 2:13

30. Hound Dog 2:15

31. Slowly But Surely 2:15

32. Any Way You Want Me That's How I Will Be 2:16

33. I Gotta Know 2:16

34. Baby, Let's Play House 2:17

35. Guitar Man 2:18

36. C'mon Everybody 2:18

37. Stuck On You 2:19

38. Jailhouse Rock 2:23

39. Long Lonely Highway 2:23

40. Spanish Eyes 2:23

41. Crying In The Chapel 2:25

42. Silent Night 2:26

43. Somebody Bigger Than You And I 2:26

44. Stand By Me 2:28

45. You Dont Have To Say You Love 2:28

46. I Forgot To Remember To Forget 2:29

47. Little Sister 2:29

48. It Hurts Me 2:30

49. Too Much 2:31

50. Sentimental Me 2:32

51. We Call On Him 2:32

52. Suspicion 2:34

53. My Wish Came True 2:35

54. Pocketful Of Rainbows 2:35

55. Blue Hawaii 2:37

56. Until Its Time For You To Go 2:36

57. I Want You I Need You I Love Y 2:38

58. In The Ghetto Alternate Take 3 2:39

59. Milkcow Blues Boogie 2:40

60. Love Me 2:42

61. Us Male 2:42

62. Where No One Stands Alone 2:43

63. Dont Cry Daddy 2:44

64. Lonely Man 2:44

65. A Mess Of Blues 2:45

66. Help Me Make It Through The Night 2:47

67. Burning Love 2:50

68. Dont 2:52

69. I Need Somebody To Lean On 2:52

70. Pledging My Love 2:53

71. It's Impossible 2:56

72. Cant Help Falling In Love 3:01

73. There Goes My Everything 3:02

74. Memories 3:04

75. Something Blue 3:05

76. Are You Lonesome Tonight 3:07

77. If I Can Dream 3:07

78. For The Good Times 3:09

79. Doin The Best I Can 3:11

80. His Hand In Mine 3:16

81. Take My Hand Precious Lord 3:18

82. Bitter They Are, Harder They Fall 3:19

83. Its Now Or Ne 3:21

84. Peace In The Valley 3:21

85. Suspicious Minds 3:21

86. Therell Be Peace In The Valley For Me 3:22

87. Blueberry Hill 3:22

88. Gentle On My Mind 3:22

89. She Wears My Ring 3:22

90. Thats When Your Heartaches Begin 3:23

91. Today, Tomorrow And Forever 3:24

92. Fever 3:32

93. Always On My Mind 3:35

94. Green, Green Grass Of Home 3:36

95. Where Could I Go But To The Lord 3:36

96. And I Love You So 3:40

97. Blue Eyes Crying In The Rain 3:42

98. She Thinks I Still Care 3:51

99. It's No Secret What God Can Do 3:54

100. Danny Boy 4:00

101. Hell Have To Go 4:35

martes, 28 de febrero de 2012

Barbara Gray & Elvis Presley , The Kiss.

Una cosa está clara: ella nunca quiso fama. La misteriosa rubia que aparece lengua con lengua con un jovencísimo Elvis Presley en una de sus más icónicas imágenes ha esperado 55 años para salir de su anonimato. Barbara Gray posó casualmente junto al cantante en junio de 1956, cuando él tenía 21, y justo antes de que saliera al escenario para actuar frente a 3.000 personas en Virginia.

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One thing is clear: she never wanted fame. The mysterious blonde with tongue tongue appears a very young Elvis Presley in one of his most iconic images has waited 55 years to get out of their anonymity. Barbara Gray posed casually with the singer in June 1956, when he was 21, and just before he left the stage to perform in front of 3,000 people in Virginia.

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"Yo era muy delgada y muy tetona", recuerda Gray, hoy una gerente inmobiliaria jubilada, de 75 años, que decidió desenmascarar su identidad para Vanity Fair. The kiss, como se conoce la imagen, es la más famosa de una serie con la que el fotógrafo Alfred Wertheimer inmortalizó a Elvis a comienzos de su juventud.

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"I was very thin and very busty," recalls Gray, now a retired real estate manager, 75, who decided to unmask his identity for Vanity Fair. The kiss, as the image is known, is the most famous of a series with which the photographer Alfred Wertheimer Elvis immortalized early in his youth.

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A pesar del erotismo de la foto, Gray asegura que no tenía intenciones de ir más allá de aquel beso con el cantante. "A lo mejor él sentía chispa, pero yo ni siquiera sabía quién era", cuenta. "Era un chico muy divertido. Estábamos corriendo y jugando el uno con el otro y simplemente comportándonos como los niños que éramos. Me persiguió por el pasillo y me pidió que le acompañara al programa de Steve Allen. Pero le dije que no, que me iba a Philadelphia a ver a mi novio. Ahí empezó su desafío".

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Despite the eroticism of the picture, Gray said he had no intention of going beyond that kiss with the singer. "Maybe he felt spark, but I did not even know who he was," he says. "It was a very funny guy. We were running and playing with each other and just behaving as children we were. He chased me down the hall and asked me to accompany him to the program from Steve Allen. But I said no, I going to Philadelphia to see my boyfriend. Thus began his challenge. "

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Pero el rey del rock no aceptó esa negativa. Cegado como estaba con la belleza de esa desconocida, intentó persuadirla de la forma más insistente. "Me abrazaba y me acariciaba y al final permití que me besara", relata Gray. "No sé cómo, pero acabamos tumbados en la cama e intentó tocarme". Pero antes de que pasara nada, tocaron a la puerta para avisar que se iba el tren en el que ella iba a viajar.

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But the king of rock did not accept the refusal. Blinded as he was with the beauty of this unknown, tried to persuade the most insistent. "I hugged and caressed and finally I let him kiss me," says Gray. "I do not know how, but just lying in bed and tried to touch me." But before anything happened, knock on the door to say he was leaving the train in which she was traveling.

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"Me convertí en la mujer que le dijo que no a Elvis", recuerda. "Eso es lo que soy". Gray nunca volvió a ver al cantante, pero está segura de que recibió una tarjeta de Navidad suya años después. Cuando la foto empezó a ser comercializada, ella renunció a todos sus derechos. "No quería meterme en esto y convertirme en loca y frustrada... Aunque me hubiera gustado que apareciera mi nombre en la maldita fotografía".

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"I became the woman who said no to Elvis," he recalls. "That's what I am." Gray never saw the singer, but she is sure he received a Christmas card from his years later. When the picture began to be sold, she renounced all their rights. "I did not get into this and become mad and frustrated ... Even though I wished that my name appeared in the damn picture."

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Así que el año pasado, cuando Barbara Gray vio anunciada en el periódico una exposición de las fotos de Wertheimer en el Smithsonian con la imagen donde ella aparecía, encendió su ordenador, buscó la página del fotógrafo en Facebook y envió un mensaje: "Soy la chica de The kiss. Os tengo una buena historia... Por favor, contestad este e-mail".

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So last year, when Barbara Gray saw in the newspaper a photo exhibition at the Smithsonian Wertheimer with the picture where she appeared, turned on his computer, found the photographer's page on Facebook and sent a message: "I am the the girl kiss. I have given you a good story ... Please, answer this e-mail ".